Etelka Lehoczky
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Full of playful experiments with composition, and seemingly endless variations on common themes, Andy Warner and Sofie Louise Dam treat self-made "utopias" with unflappable cheer.
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Inés Estrada's new graphic novel is set in a version of 2054 that feels oddly close to today; it's the kind of sci-fi that doesn't imagine the future so much as remind you how strange the present is.
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Even as NPR editor Malaka Gharib makes light of herself in her high-spirited graphical memoir, her wisdom about the power and limits of racial identity is evident in the way she draws.
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Artist Scott Hampton has a big job in this second volume of an ambitions, three-book adaptation of Neil Gaiman's American Gods: Depict Gaiman's deadly serious characters without making them quaint.
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Cartoonist Peter Bagge takes on the life of another independent woman in Credo, his biography of pioneering libertarian Rose Wilder Lane (also known for being the daughter of Laura Ingalls Wilder).
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Amanda Kolson Hurley is well-acquainted with suburbia's many negative stereotypes. But in a new book, she asks us to take a look at what is possible in this realm when the human spirit is at its best.
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Artist Michael DeForge's enigmatic new graphic novel is all about ambivalence — belonging, displacement, escape and return. Also, strangely charming, blobby animals with all-too-human feelings.
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Box Brown has a knack for using comics to illuminate tricky subjects. Now, with Cannabis: The Illegalization of Weed in America, he's turned his attention to one of the touchiest topics today.
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Christopher Cantwell's new graphic novel follows teenaged Luna, who's struggling with mental health issues and finds a kind of hope in the appearance of a mysterious flying woman in the Chicago skies.
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When Salvador Dalí met Harpo Marx, he was so infatuated that he wrote a treatment for a surreal Marx Brothers film, Giraffes on Horseback Salad. The film didn't fly, but this graphic novel does.
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Garth Ennis' new graphic novel creates a fictional character to flesh out the stories of the real Night Witches, Soviet female pilots who dropped bombs on the Nazis from rickety old biplanes.
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In the world of writer Chelsea Cain and artist Kate Niemczyk, women are seen as dangerous animals. They bring that world to life with pages and pages of ephemera: fake ads, pamphlets, even a magazine.