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  • Edwin Hopkins was on the USS Oklahoma when it was attacked in Pearl Harbor, and was one of hundreds buried as an unknown. His family is grateful for the decision to try to ID some of the remains.
  • The law, championed by Gov. Scott Walker, sparked mass protests in the state capitol and attracted national attention. The decision gives Walker an important election-year victory.
  • The Sandwich Monday team says "See you later." Then we say, "Are you gonna eat that?"
  • Screenwriter/actress POLLY DRAPER and jazz pianist MICHAEL WOLFF have co-produced –The Tic Code.— The new film is about a mother and her son, a musical prodigy with Tourettes syndrome. The syndrome is a nervous disorder that produces uncontrollable facial tics and jerky muscular spasms, as well as causing strange noises to be emitted from those who have the disorder. POLLY DRAPER wrote the film based on the life of her husband, MICHAEL WOLFF. (THIS INTERVIEW CONTINUES INTO THE SECOND HALF OF THE SHOW)12:28:30 FORWARD PROMO (:29)12:29:00 I.D. BREAK (:59)12:
  • The singer and pianist went from busking on the streets of Paris to eliciting Nina Simone comparisons and headlining sold-out shows, but he says he's just lucky to be able to express himself.
  • We conclude our rebroadcast of our series on American Popular Song with a tribute to composer HOAGY CARMICHAEL. CARMICHAEL wrote "Star Dust," "Heart and Soul," "The Nearness of You," "Skylark" and many more. We feature performances by singer REBECCA KILGORE and pianist DAVE FRISHBERG. We'll also talk with RICHARD SUDHALTER, who has written a forthcoming biography of Carmichael. And we talk with Carmichael's son, Hoagy Bix Carmichael who now manages his father's music catalogue. (THIS TRIBUTE CONTINUES THRU THE END OF THE SHOW). (REBROADCAST. ORIGINALLY AIRED 11/22/99.)12:28:30 FORWARD PROMO (:29)12:29:00 I.D. BREAK (:59)12:30:00...
  • Writer ALEC WILKINSON remembers his friend and mentor WILLIAM MAXWELL who died Monday at the age of 91. Wilkinson is a staff writer for the New Yorker, and has been there since 1980.His book, –Midnights: A Year With the Wellfleet Police— (Hungry Mind Press) was recently released in paperback. (Note: this is a new interview, not a repeat.)We listen to rebroadcast of a 1995 interview with WILLIAM MAXWELL. MAXWELL was fiction editor of the New Yorker from 1936-1976 and worked with such authors as J.D. Salinger, John Cheever, John Updike, Eudora Welty and scores of others. MAXWELL was the author of a number of novels, including "Time Will Darken It," and "So Long, See You Tomorrow," as well as several short story collections. In 1995 a collection of his stories was published in the book "All The Days and Nights." John Updike has said Maxwell's voice is "one of the wisest in American fiction. It is, as well, one of the kindest. " (REBROADCAST from 3/29/95) (THIS INTERVIEW CONTINUES INTO THE SECOND HALF OF THE SHOW)12:28:30 FORWARD PROMO (1:29)12:29:00 I.D. BREAK (:59)12:
  • We talk about the current state of prescription drugs with DOCTOR Michael Winniford and DOCTOR PETER UBEL (U-bil). Dr. Winniford is a cardiologist, professor of Medicine at the University of Iowa in Iowa City, and director of the Universitys Heart Care Center. Dr. Ubel is assistant Professor at the University of Pennsylvania Medical School, and is also on the faculty of the Universitys Center for Bioethics. The two doctors will talk about the high cost of prescription drugs, and the problems associated with that cost. It is especially hard for the elderly because often, insurance does not cover the costs of all medicines. WINNIFORD AND UBEL will also talk the business of prescription drugs, and the side effects of new drugs and new drug combinations. (THIS INTERVIEW CONTINUES IN THE SECOND HALF OF THE SHOW.) 12:28:30 FORWARD PROMO (:29)12:29:00 I.D. BREAK (:59)12:
  • Singer and composer Randy Newman's wry and sometimes raw musical commentary has become a big part of the American cultural landscape. In his new solo CD, The Randy Newman Songbook, Vol. 1, Newman revisits some of his biggest hits.
  • Sweetly smutty Superbad is all about raunch; Brit-farce Death at a Funeral is all about stiff-upper-lip reserve. Both push the envelope, and even the English one has little to do with propriety.
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