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  • For 30 years, Depeche Mode has pioneered electronic music with the use of synthesizers, influencing newer acts like Coldplay and The Killers. The band's latest record, Sounds of the Universe, combines past and future, tapping enduring themes such as lust and religion, while creating futuristic arrangements with drum machines.
  • Vig looks back on a band eager to work and an artist struggling with his success.
  • Over a plate of Texas barbecue, Alt.Latino spoke with this fast-rising Afro-Latinx artist from Miami in the midst of her unforgiving South By Southwest schedule.
  • The music of Rodrigo Sanchez and Gabriela Quintero attempts to reconcile their love of heavy metal music with their traditional style of Mexican guitar playing. Their self-titled debut combines Sanchez's intricate fingerpicking with Quintero's smooth melodic style — and works wonderfully.
  • Singer-songwriter Carmen Consoli's polularity can be credited to her combination of Sicilian influences and political awarness. Now, Consoli is taking on a different music market with the release of her first U.S. CD.
  • Hiatt's newest album, Master of Disaster, features an edgy, funky sound, thanks largely to the assistance of The North Mississippi Allstars. Together, they assemble a collection of gritty country, blues, rock and jazz.
  • Led by an acoustic guitar and a grand piano, Death Cab for Cutie plays a stripped-down session at The Current. Drawing from a decade's worth of material, the band pulls out an old favorite and plays two songs from its new album, Narrow Stairs.
  • In Sons and Daughters' "The Nest," Adele Bethel puts her Scottish accent to good use against a detailed backdrop. She sneers her way through a tale of adolescent disappointment with such a barbed tongue that it takes on the dread of gothic horror.
  • The soulful singer-songwriter talks about her new album, The Orchard, during a studio performance chat. Wright opens up about her music, her life, and what's next for her recording career.
  • Unabashedly cheerful, Bulat's "In the Night" is a perfect slab of shimmering girl-group pop, but it's no mere throwback gimmick. A young singer-songwriter from Toronto, Bulat invests the track with graceful effervescence and an innate understanding of momentum.
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