Search results for

Despite its success in Australia, You Am I has never made a dent in the U.S. But its new Convicts seems to suggest that other issues besides a failure to break through may explain the four-year delay since the band's last album, 2003's Deliverance.

Already the subject of considerable overseas hype, Gnarls Barkley finds DJ/producer Danger Mouse collaborating with Cee-Lo, co-founder of the Atlanta hip-hop collective Goodie Mob. The duo's debut single, "Crazy," is music for an integrated world.

With quirky melodies and a uniquely clever songwriting style, Sparks has remained one of the most innovative art-pop bands of the past three decades. While never gaining much more than a cult following, Sparks' peculiar brand of pop smarts has influenced everything from '80s synth-pop to Queen.

One of the few bands to improve with every album, Centro-Matic makes room-filling country-pop that's been winning converts for more than a decade. In "Patience for the Ride," Will Johnson's gravelly, intimate voice sounds warm and inviting — a perfect complement to the fuzzy classic-rock guitars.

The show is live in Philly this week, and we invited one of the city's heroes. Darryl "Cornbread" McCray is the father of modern graffiti, but what does he know about the game of tag?

Any history of rock 'n' roll is sure to acknowledge the influence of piano master Jerry Lee Lewis, who popularized his own brand of rock.

Beach House's sleepy "Saltwater" never feels weary or tiresome. Instead, it floats along in a wispy haze of skittering drumbeats that rise and fall like heartbeats. As Victoria Legrand sings, "Love you all the time / even though you're not mine," her voice sounds powerful and stripped bare.

Ben Sollee just wants us to get along. On his debut, full-length release, Learning to Bend, the Kentucky-born singer offers an inspired collection of acoustic, folk and jazz-flavored songs, filled with hope and the earnest belief that the world is good.

Esquire music critic Andy Langer discusses the week's new releases, including albums by The Kooks, Mariah Carey, The Black Angels, and former Pixies singer Black Francis, a.k.a. Frank Black.

At one point or another, most people find themselves loving someone they shouldn't, often long after the consequences of their misplaced affections become clear. In "Can't Hold Me Back," Brothers and Sisters' Will Courtney sums it up in only a few words: "All the things I love about you outweigh the things that I do not."