Search results for

Co-written by Joss Whedon, the Buffy comic series picks up where the TV show ended, with Buffy leading a horde of supergirl slayers. Wolves at the Gate flirts with bisexuality while offering the series' signature blend of earnestness and camp.

NPR's A Martinez talks to Herbert Anthony Stevens IV, better known as rapper Ab-Soul, about his new album: Herbert. The new songs are all about grief.

Pink Floyd's historic album Dark Side of the Moon turns 50 years old today – cognitive psychologist Daniel Levitin joins us to discuss its twisting psychological themes.

After decades of performing, the celebrated soprano's enthusiasm for music is irresistible. She chooses some of her favorite recordings for an informal session of listening and conversation.

A brother-and-sister act, Angus and Julia Stone are known around the globe for their ability to mesh two strong, separate vocal styles into an artfully mixed combination: Julia's light tones intermingle with Angus' rough, emotive baritone in arresting fashion. Hear the pair perform live in concert from WXPN and World Cafe Live in Philadelphia.

In "I Can Change," James Murphy's vocal performance helps bring his tale of salvaging a deteriorating relationship to the next level. When he sings, "Love is an open book to a verse of your bad poetry -- and this is coming from me," it's like he's written the Facebook status updates for brokenhearted smart-asses everywhere.

Kay Thompson was a musical director for MGM Studios, the author of the Eloise children's books and the star of her own long-running nightclub act. Liza Minnelli pays tribute to her real-life godmother in her latest, sold-out revue.

Metric's songs are like candy-coated insects: Once you crack their sugary shells, they're not as sweetly inviting as they appear on the surface. It's clear from the opening seconds of "Sick Muse" that acerbity will reign amid all the cheerfully buzzing guitars and "aaaaah"-ing backup vocals.

In the U.S., the British folk scene has never been as well-known as its counterparts in rock and pop, but David Gray is changing that. For more than a decade, this wordsmith out of Manchester has been laying down album after album of bright folk music. Hear him in a session from WXPN.

Shearer's voice remains soft and gentle throughout "How Glad I Am," as her guitar strums the major chords that function as the melody's stepping stones. As the song builds in intensity, her voice gathers strength and fake strings chime in, courtesy of a keyboard. But Shearer's dark side emerges, too.