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With the release of the 2005's The Acrobat, 2007's With My Left Hand I Raise the Dead and an album in which he covers the soundtrack to the '80s movie Footloose, Thomas Bartlett established Doveman as a true sleeper. His third album of original material with Doveman, The Conformist, is a testament to his soft-spoken style. This time around, though, he adds flourishes of upbeat synths, drums and catchy choruses.

The band closed with a cover of Low's 1999 song "Just Like Christmas." Fanfarlo's members had practiced it all the way from Baltimore to D.C.

Washburn almost left the U.S. for China, where she'd planned to spend the rest of her days practicing law. As luck would have it, though, her growing fascination with learning the banjo led her to an unlikely recording career. Washburn's new album is titled City of Refuge.

After spending the past five years fighting the notes in his head, "the acoustic Jimi Hendrix" recently released his 10th studio album, Vividly. Hear Bensusan, a self-taught guitarist, talk about his life, his playing style and his latest album.

Rooted in early-20th-century blues and jazz, "lipstickandchrome" is freshened up with modern sass.

On her latest album, the Nashville singer-songwriter tells compelling stories from the inside out.

Compact and intense, the New Jersey band's songs channel the spirit of punk, but also the density of heavy rock that's had the fat cut out.

Listen to Sam Beam cover a deep Seventies Neil Young cut on the latest volume of his Archive Series.

The gospel-punk band's self-titled debut couches its invective in feedback, guitar noise, bruising drum machines and Franklin James Fisher's guttural howls.

With the help of longtime partner Gillian Welch, Rawlings assembles a sweetly engaging, impressively wide-ranging collection of American roots music.