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In a substantive edit to Netflix's public-facing statement on work culture, the company states that employees might have to work on titles they "perceive to be harmful."

Idan Raichel has made his name by mixing cinematic Israeli pop with the sounds of his country's immigrant community. His latest album reaches even farther afield, with singers from Colombia, Rwanda and the Cape Verde Islands.

Daryl Hall and John Oates have distilled their hit-making career into a new box set called Do What You Want, Be What You Are. The band had so many '80s pop hits that it's helpful to remember that they started their careers as soul musicians. Hear Hall and Oates' interview with Guy Raz.

Though the Congolese music known as soukous was Africa's biggest pop-music style in the '70s and '80s, it only reached the U.S. in bits and pieces. But a new anthology by the musician known as Franco goes a long way toward completing the puzzle.

Mark Padmore and Paul Lewis find the bitterness between Schubert's deceivingly sweet lines.

The Australian singer-songwriter, whose career began in high school with the band Noise Addict, has a new album all about the strange language of dreams.

As jazz critic Murray Horwitz puts it, "Just because a CD is a survey of Christmas music, it doesn't mean that it can't have great music." The all-star lineup of the 1990 album, Jingle Bell Jazz, includes Dexter Gordon, Duke Ellington, Miles Davis, and Herbie Hancock.

Tom Manoff reviews a new CD by the Akademie fuer Alte Musik Berlin that features exciting performances of some less than famous composers. The CD is Ouvertueren (Overtures): Music for the Hamburg Opera is on the Harmonia Mundi label.

In his native Puerto Rico, a jazz drummer found that his friends could all get down to Fela Kuti. So in New York, Cole assembled an 11-piece band to locate the African heart of Caribbean party music.

When The Mars Volta purchased a ouija board in a Jerusalem curio shop and began to use it, the band had no idea how much it would affect its recording. Listening to The Bedlam in Goliath, the paranormal talk might not seem like such a publicity stunt.