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  • Will Holland (a.k.a. Quantic) is now based in Cali, Colombia, where he started his latest project, Quantic Presents Flowering Inferno. Its new album, Dog With a Rope, features local musicians playing over his genre-blending production. Hear the album in its entirety until its release on July 13.
  • On Wednesday, All Things Considered played a few songs making the rounds online about the presidential and vice presidential candidates. Not many songs about Joe Biden could be found. That prompted a couple of listeners to send in songs about Biden.
  • "No one expects such a mighty voice to issue from my diminutive frame," the 4-foot-3 singer writes in his new memoir.
  • Taylor Swift has become the first female artist to have four albums on the Billboard 200 chart. The artist has been deep in re-recording her early albums to keep artistic and financial control.
  • Despite its beautiful music, and a storyline filled with passionate romance, violent conflict and international intrigue, Vincenzo Bellini's Zaira was received coolly at its premiere, partially due to cutthroat musical politics.
  • Swedish crime writer Stieg Larsson was on the verge of international fame and fortune when he died in 2004, right before the publication of his bestselling Millennium trilogy. NPR's Robert Siegel talks to Larsson's publisher about what made the trilogy a runaway success.
  • Verdi's Il Trovatore remains one of the most popular operas of all time, but it walks a fine line between tragedy and farce. Find out who threw which baby into the fire in this production from the Maggio Musicale in Florence, Italy.
  • Mozart's premier creative partnership with Lorenzo Da Ponte produced a masterpiece for the ages, and one of the only successful sequels to an existing plot. This comic opera continues where playwrite Beaumarchais' The Barber Of Seville leaves off.
  • Wagner's stormy one-acter requires lead singers with great power, both dramatically and vocally. Alan Held and Jennifer Wilson fit the bill in this turbulent opera focused on one of Wagner's favorite themes: the redemptive power of love. From the Washington National Opera.
  • Written during the final year of Mozart's life, The Magic Flute presents a magical world of surreal characters and mysterious rites, and the composer filled it with Masonic symbols and allegory.
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