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Alan Held makes an impression as the mysterious title character in Wagner's The Flying Dutchman, at the Washington National Opera.

The songwriter's music is often described as "swamp rock," an appropriate designation given that he writes most of his material in the backwoods outside Jacksonville, Fla. His latest album, Georgia Warhorse, unofficially pays tribute to his grandmother.

Flashing both the raw talent of a recruit and the acumen of a much older musician, the singer-guitarist's self-titled debut shows off both his youth and his grasp of past musical forms.

Brooklyn indie duo riffs on its Ghanaian adventure by collaborating with master gyil player Aaron Bebe. Folk drones follow.

There are no people named Claudia in the Claudia Quintet, but there is a fantastic drummer and composer named John Hollenbeck. His tunes crib from anywhere between minimalism and math-rock, while the band transforms it all into a sort of throbbing, cinematic and wacky jazz.

Alt.Latino hosts Felix Contreras and Jasmine Garsd join Weekend Edition Saturday's Scott Simon to discuss modern interpretations of traditional Latin holiday music.

The Guardian's U.S. editor in chief, Janine Gibson, discusses how the news organization came up with the idea to let visitors to its website see news about the royal baby or not. You can click on "Royalist" or "Republican." (In the U.S., the choice is "Royalist" or "Not a royalist.") We muse on what this means.

The annual Violin Society of America conference showcases new, experimental concepts in the world of strings. But hidden behind the balsa wood violins and shrunken violas are craftsmen who prize great-sounding instruments above all.

Heading home from the Trojan War, a heroic leader makes a dangerous pact with Neptune that jeopardizes the entire community. It's Mozart's innovative Idomeneo in a production by the Bavarian State Opera.

Can opera be passionate without shrieking mad scenes and overstuffed choruses? The answer is yes, and Claude Debussy's subtle, dreamy psychological thriller proves it, in a production from German Opera On Rhein.