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When The Mars Volta purchased a ouija board in a Jerusalem curio shop and began to use it, the band had no idea how much it would affect its recording. Listening to The Bedlam in Goliath, the paranormal talk might not seem like such a publicity stunt.

Over an 18-month period, Joan Tower's Made in America was heard in all 50 states, played by 65 different orchestras. Her composition, conducted by Leonard Slatkin, has now netted three Grammy awards.

Palacio, who died Jan. 19, was known as much for his music as for his impact on Belize and the promotion of its rich traditions and cultures. With Watina, he stripped down his music to connect more with the true sound of his home country. Hear an interview and performance.

After releasing her debut album, 19, to critical acclaim earlier this year, British artist Adele was dubbed the next Amy Winehouse by the British press. The young singer-songwriter talks about her record and her new-found fame.

Reggae music has gone a lot of places over the years, from minimalist dub to culture-warring dancehall. Almost 40 years on, Spear still hews to the reggae basics: a deep, easy groove; brassy R&B flavorings; and a mystical take on history. His new CD is Jah is Real.

On his new album, Young Jeezy uses his motivational rasp to raise the spirits of people facing rising gas prices and unemployment rates. Though he's not a great rapper by traditional standards, the young Atlanta MC pads his raps with what he does best: big, clunky punchlines and inspirational refrains.

In the last few years, composer Ellis Ludwig-Leone has presided over a big band that's grown grander and more ambitious in every phase of its sound.

On his new album, the 29-year-old violinist finds connections between two seemingly disparate concertos by Jean Sibelius and Thomas Adès.

Commentator Marcos McPeek Villatoro shares thoughts on his experience acting as an "extra" on a hit television show.

Bob Mondello looks at a new phenomenon that's been popping up on the web: people recutting footage from old movies and adding familiar music to suggest radically different films from the ones we know.