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New York City's heroes are traditionally celebrated way downtown, at City Hall Park. But at the J&R Music Festival, drum hero Roy Haynes leads the celebrations. Here, the octogenarian drives his Fountain of Youth band through a characteristically hard-driving set.

Saadiq's latest disc, The Way I See It, offers up a self-conscious rendering of black soul and pop from the '50s, '60s and '70s. In an update of the classic "Oh Girl," he gets a much-needed bit of help from Jay-Z.

Reissues are the bread and butter of the jazz record business, but the artists whose talents made the records possible often miss out on the royalties that could help sustain them in old age.

The young soul singer refuses to take sides in R&B's generational divide, so his songs all sound familiar, even when they're several things at once.

The pianist creates a singular electronic language rooted in the past but reaching to the future.

Highly emotional rock that reads as low-stakes at first, Lost in the Dream is evocative and pleasant if you let it float by in the background. But it's made with hooks that sink in deep.

The Swedish singer's third album forms the final installment in a conceptual trilogy — and it's extraordinary as both a collection of songs and a tactical re-wiring of her genre's circuit board.

The Pittsburgh rapper makes his major label debut and presents himself as a more balanced artist and human being.

Josh Homme and Jesse Hughes' new album may have taken seven years to make, but it still sounds as if they'd jumped out of a plane and recorded it on the way down.

We could all use a little extra light, with just a hint of cheesiness. That's exactly what the Brooklyn duo offers in its new video.