Kevin Whitehead
Kevin Whitehead is the jazz critic for NPR's Fresh Air with Terry Gross. Currently he reviews for The Audio Beat and Point of Departure.
Whitehead's articles on jazz and improvised music have appeared in such publications as Point of Departure, the Chicago Sun-Times, Village Voice, Down Beat, and the Dutch daily de Volkskrant.
He is the author of Play the Way You Feel: The Essential Guide to Jazz Stories on Film (2020), Why Jazz: A Concise Guide (2010), New Dutch Swing (1998), and (with photographer Ton Mijs) Instant Composers Pool Orchestra: You Have to See It (2011).
His essays have appeared in numerous anthologies including Da Capo Best Music Writing 2006, Discover Jazz and Traveling the Spaceways: Sun Ra, the Astro-Black and Other Solar Myths.
Whitehead has taught at Towson University, the University of Kansas and Goucher College. He lives near Baltimore.
-
Frahm has a brawny tenor sax sound, strong and consistent from top to bottom. His new trio album shows off his ability to use pacing and momentum to tell a compelling story.
-
Joy sang some jazz in high school, but didn't get serious about it until later. Her debut album, which she recorded as a college student, could be a public service announcement for jazz education.
-
J.D. Allen's Queen City and Jon Irabagon's Bird With Streams are two very different new albums by outstanding tenor saxophonists.
-
Four decades after his death, Evans remains part of the jazz conversation. A new anthology surveys records the jazz pianists made as leader, from 1956 until his death in 1980.
-
Barnes and Osborne would both be 100 on July 17. Barnes grew up in Chicago and went on to play on Bob Dylan's first single. Osborne turned up on records by Mel Tormé , Wynonie Harris and others.
-
Vaughan combined an operatic sense of drama and vocal control with an improviser's risk-taking. A newly released 1969 concert recording is an ambitious showcase of her pop and classical sensibilities.
-
Last winter, knowing his time on earth was growing short, the bassist, who died May 15, resolved to cap 40 years of making his own records with a final statement: two albums, by two quartets.
-
Bandleader and reed player Hutchings was born in London, but partly raised in Barbados. His new album with Sons of Kemet highlights the criss-crossing trajectories of African musical diasporas.
-
Herring is an alto saxophonist with a dynamic sound and aggressive attitude. His new album features jazz with a big dollop of swing rhythm and blues feeling.
-
A CD set from Mosaic, full of singles and albums made between '46 and '66, confirms the variety of Armstrong's studio sides — and shows how much work went into making them sound casual.
-
Coleman, who died in 2015, had a knack for writing catchy melodies in a distinctive voice. Saxophonist Miguel Zenón loves Coleman's music and put together a quartet to play some.
-
The jazz pianist only recorded two albums, the second of which was long believed to be lost. Now, the rediscovery of Metaphysics: The Lost Atlantic Sessionis cause for renewed celebration.